In various Indian middle-class families, the most easiest and prominent way of finding one’s economic status is by looking at their balcony. Some balconies are posh and modern, crisp and precise and some are old, broken and scream of a story often lost in the abyss of life. Most of the latter have a few defining traits. Wooden window frames, naked bricks and visible piping. If you are lucky, you might see a metal railing, put in either with the help of extended family or the government.
Due to circumstances I had no control over, I stayed at a PG when I was 17; for those unaware it’s a concept of a hostel without the bounds of university. You pay to live as a guest. It has to be my innate desire to break down our entire existence in simple words, that I started observing the house right across the street from mine. Now, streets in the sub-urban areas of Delhi are drastically different from those of first-world countries. An average-height man could cover the street in 2 wide steps. More of a lobby really. Observable distances are quite helpful when you see the world in poetry.
On one such sunny May afternoon, I was at the balcony, the PG had a rather modern balcony, modern in terms of colour schemes and edges. Old Delhi homes embrace the idea of conversation and human interaction and thus their balconies were made round, with no sharp edges. Newer homes scarcely cared for neighbours and community.
You could also, almost eerily guess the age of a house in Delhi using the colour schemes. Newer houses have white, black, beige and dark brown covering the walls and floor, ceilings and furniture, but old homes, hold history. And history is never monotone. Bright red, faded now to a dark smudged remnant of the glory it once held. Royal blue, painted in hopes of feeling some resemblance to the courts of the Mughals and their power over destiny, now left chipped, as most of the home’s fate would be incomplete. Bright yellow is a constant theme, in my opinion, it is the last strand of rejuvenation the owners wish to provide their homes with.
Looking at a house from the other side of the street felt as if I was invading a land I wasn’t supposed to see. On the right side, I lived in this house, made in recent years, with air conditioning and white marble floors, and right across the street was a bigger but poorer house. Poor in its structure and it inhabited a few families, one the loudest, which I couldn’t help but write about.
The children were often naked. Or clothes barely covering their infant self. They often lacked social dignity from others around them. They saw love and fight for compassion, as I did when I peeked into their life, snooping like the pretentious madman I was. Romanticising struggle as rich men often do. I saw screams, I tried hearing them too, but the vibrancy of the colours in their words forced my eyes wide open. What is the world to me? What is it to a 3-year-old who hasn’t eaten in 4 days?
When I slept, I saw the ceiling above me, my room had a false ceiling, with light spilling out on all sides and a fan in the middle of the room, I had a bed, and a bedside table, on which I used to adorn my lamp, and a box of tissues, solely because I loved the colour of the cardboard. I must confess, I do not know what the ceilings of the house in front of me looked like. I can only assume. Suspecting the broken railings and chipped window frames, I imagine they must not have the luxury of air conditioning, but was it really a luxury?
Rich men emit carbon and the poor mines diamonds. Who is the culprit of nature?
I switch on the fan, and the air conditioning, and I let it run, so much so that I cover myself with a blanket, and I hear the naked infant crying in the sun. The older sister of that household, I remember, was an avid reader. She studied in a government school nearby, riddled with classism, casteism, and the impending discrimination of the national spirit. I smiled at her often, she couldn’t be older than 10. She had a few teeth missing. Despite it all, she never hid a smile. Until one day, when she started wearing a kurta and not her older brothers’ hand-me-downs. Her impending doom came quicker than our nation. Her smile disappeared faster than her younger brother got clothed.
As for me? I left the PG because I had to attend university in a different state. I think of her often still. Her house and the door that squeaked when it closed.
The chipped paint and the rounded edges. Inviting me to travel back in time, where houses were meant to invite, not boast.
When edges were softer,
and marble was a luxury.
